Nitrate Vs Nitrite Chemistry

Nitrate Vs Nitrite ChemistryNitrate or nitrite chemistry is something that every sportsperson should know, as it can really make a difference in the outcome of a particular game. This may be because of the foul smelling chemical used in ice hockey, which is used to protect the players from the substances used in the game. It's important to understand the difference between the two to get the best out of your time spent in the game.Nitrite, or NH3, is used as a preservative for the game in the form of kerosene, although it does have another useful use, as well. What this means is that nitrite can be a very effective tool when used in a 'waterless' system, and works well in water-based practices such as Ice Hockey. In ice hockey, there are several goals that have to be scored in a certain amount of time, and nitrite help to keep the water free of bacteria, by keeping it dry. If too much water is present, a person's system will get upset.Nitrite has two very important uses in waterless systems. The first is to prevent bacteria growth when a person plays, with a weak stomach. Another use is to protect the players from other players, who may give a nasty touch to the net when doing so, and this can be prevented with the help of the compound.However, the best way to go about using nitrite in waterless practices is to use it as a masking agent, to hide the smell. For example, if someone is caught doing something wrong in a practice session, they will not be able to tell what has caused the foul smell, and the room will remain dry. This makes it a much more enjoyable time for everyone, including the players. This also extends to spectators in the arena, because they do not have to witness the foul smell either.Another advantage of using nitrite is that it will work in any kind of practice, whether you are playing or not. So if you happen to be sitting at home with some friends, and you decide to play with them, all you have to do is throw a few drops into your waterles s system, and it will cover your body and your fellow players. For example, if you're a player who doesn't really enjoy water, then there is no reason to play in water-based practices, and this is something that is well worth checking out. Most of the time, it is possible to take advantage of the chemical properties of nitrite to create a dry and clean atmosphere for practice, and make a lot of your time spent in practice better.However, one of the downsides of using nitrite is that if it is used in too much, the resulting water isn't good for the environment. So if you're going to get a great deal of it, do so under the guidance of a professional. Also, even if you do take care of nitrite usage at home, it would be prudent to check on the water where you live in the event of a major disaster, and to avoid the release of nitrate into the environment if at all possible. Although it is not harmful in the vast majority of cases, it is a chemical that can cause harm, and if it is releas ed into the environment, it can cause trouble with our agricultural areas.Nitrite chemistry should be investigated thoroughly and taken into account before you decide on any practice. Waterless systems that contain the compound are proving to be effective, and make great things easier for people like us, who don't have a lot of time to devote to exercise or activities. There is no doubt that nitrite chemistry is a very important aspect of waterless practice, and it really should be studied and taken into account carefully, because if not, you could be missing out on some fantastic times in your life, including some glorious victory or embarrassing defeat.

Personal Branding E-Book-Reduced Price! - Introvert Whisperer

Introvert Whisperer / Personal Branding E-Book-Reduced Price! - Introvert Whisperer Personal Branding E-Book-Reduced Price! Personal Branding starts with how well you speak about YOU.  I want to help you accelerate your career by connecting you with your Free Instant Access to my eBook â€" The Definitive Guide to Creating and Using an Elevator Speech.  In this guide, I give you simple to follow instructions for creating a “wardrobe” of ways to talk about you â€" to leave a lasting impression. Get your copy now! Brought to you by Dorothy Tannahill-Moran  â€" dedicated to unleashing your professional potential.  Introvert Whisperer

Its Time to Spring Clean Your Music Goals!

Its Time to Spring Clean Your Music Goals! 5 Tips to Spring Clean Your Music Goals Suzy S. Remember how bright-eyed and excited you were at the beginning of the year with your music goals and dreams? Now that were a few months into the year, its a great time to evaluate your progress. If you followed the SMART goal process (Specific, Measurable, Attainable, Realistic, Timely), you should have a good idea of whether you reached these goals or not. On the other hand, if youve completely forgotten about those aspirations, dont be too hard on yourself as life and other priorities come into play, it can be all too easy to brush off or altogether abandon what you set out to do. In fact, according to Betterment.com, while 45% of Americans make New Years Resolutions, only 8% end up achieving them. Motivation wanes, excuses crop up, and all of a sudden your guitar case has a nice layer of dust on it. Since March 20th is the first day of spring, consider this a much-needed spring cleaning wipe the slate clean, forgive yourself for not practicing as much as you said you would, and then remind yourself why you set your particular goals to begin with. Ready? To start your music goal spring cleaning, think about 5 Tips to Spring Clean Your Music Goals (1) If you reached your goals whats next? Congrats! Its an awesome feeling to surpass those milestones and reach your goals. Pat yourself on the back! Nows the time to really push yourself further and amp up your excitement. What have you enjoyed most about your lessons so far? What kind of music do you get excited about playing? If youre not sure where to go next, chat with your teacher and define your next set of goals. Have you performed in front of an audience yet? Want to try your hand at composing your own tune? The skys the limit. (2) If you havent reached your goals what happened? Again, dont beat yourself up if you havent made the progress you were expecting. Particularly if youre taking music lessons as an adult, sometimes life just gets in the way. The key here is to get back to the enthusiasm and motivation you felt at the very beginning. What originally inspired you to learn how to play the guitar or piano? Next, think about where you got off track. Do you find yourself making excuses for not practicing? List out some concrete strategies for overcoming your most common excuses, such as scheduling out specific time to practice. If it feels like youre doing everything right and youre still stuck, consider the goals themselves. Are they reasonable? After all, youre not going to attend one drum lesson and then wake up the next morning jamming like Travis Barker. Moreover, do you have the support you need? This can be anything from a teacher who meshes well with your learning style and interests, to a family or roommate who respects your dedicated practice space and time. (3) If youre not sure (or if your goals werent specific) what can you measure going forward? It doesnt need to be anything too crazy. If youre taking music lessons just for fun, for example, define how many days each week youre going to practice. Or how many fun songs youd like to learn. And dont forget about performance opportunities, from open mics to sharing your talents with family and friends. As you review your goals, the most important thing to ask yourself is this: are you still having fun? If not, maybe its time to recharge. Check out new music, attend a local art show, jam with your friends, or even try a whole new instrument you never know what will spark your creativity and inspire you. So, readers, time to hold yourselves accountable. Where are you at with your goals? What are your next steps? Leave a comment below and share your story! Interested in Private Lessons? Search thousands of teachers for local and live, online lessons. Sign up for convenient, affordable private lessons today! Search for Your Teacher

Best Economics Podcasts

Best Economics Podcasts A New Way to Find out About Current Economic Issues ChaptersTune into the Financial Times PodcastTry Out The Economist RadioWant to Try a Different Economics Podcast?The Choice is YoursThere are plenty of resources you can use to study  economics. Whether you’re an economics A-level student, an economics undergraduate, or an economics aficionado, there are lots of ways you can improve your understanding of economic principles.There are, for example, economics blogs, online courses, and news sites out there that help provide context and insight into  economic ideas, which in turn  help provide you with insight into how international trade and economy activity shape the world around us.Additionally, there are online tutoring sites available, such as Superprof that can help improve your economics knowledge. Tutoring is especially helpful if you are looking to improve your academic performance in subjects such as economics, as your A Level Economics tutor can work with you to solve common economic problems you may see in exams.However, if you’re looking for a way to deepen your understanding of economics on the go, then listening to an economics podcast is a great option. There is a range of informative podcasts out there, which bring their own philosophy and perspective to current events. What's more, you can listen to these podcasts at home or on the move, which makes it easy to find time to listen to them even with our busy schedules. To help you, we've outlined some of the best economics podcasts below.Find out about current economic issues in an economics podcast. (Source: CC0 1.0, illustrade, Pixabay)The Economist asks: Is Russia waging war on the West?; andMoney talks: The oil clubLike the Financial Times podcasts, the Economist Radio podcasts are usually fairly short and sweet, with an average run time of between 10 and 25 minutes. For example, the podcasts are also available on Apple iTunes, Google Play, Spotify, and the Economist Radio website to name a few, so they are very easy to find. Equally, the podcasts can be  downloaded, so you can listen to them wherever you are.The podcasts are also available on the SoundCloud, where the channel has 832,000 followers and a collection of over 2,000 tracks to listen to, so you know you’re in good, and very popular, hands with the Economist Radio.My Economics tutor London recommended I listen to this one!The Economist Radio has great economics podcasts. (Source: CC0 1.0, 3dman_eu, Pixabay)Want to Try a Different Economics Podcast?If you’re already familiar with the Financial Times podcasts and the Economist Radio, or if you’re looking for something a bit different, there are other podcasts available that discuss local and global economic and political issues.More or Less: Behind The StatsThe podcaster for this BBC Radio 4 podcast is Tim Harford. Along with his team, Tim  hosts  weekly podcasts that focus on the world of statistics and how it shapes the world around us.From an examination into Russian voting data to see whether there was election fraud in the recent Russian presidential election to an investigation into the tulip mania in the Netherlands in the 17th century, the content is engaging, different, and you walk away having learnt something new.You can also subscribe to the latest podcasts, meaning that you don’t have to miss any upcoming podcasts from the show.Freakonomics RadioFreakonomics Radio is another widely popular and compelling weekly podcast hosted by Stephen J. Dubner, who was the co-author of the Freakonomics book series.The podcast has been running since 2009, which means there are hundreds of podcasts to listen to if you’re new to the show. Although there is a focus on American issues at times, many of the podcasts discuss wider themes and topics. In particular, behavioural economics is this podcast's prime school of thought, so often any debate centre around how economics can influence how we behave.There have also been special series, such as “The Secret Life of a C.E.O” that included interviews with individuals such as Mark Zuckerberg and Richard Branson, so there’s plenty of star power to be found in the podcasts.International Monetary Fund PodcastsAlthough the IMF’s intellectual podcasts aren’t released as regularly as some of the other shows we have discussed, there is still a wealth of information available from them.With a focus on global economics, the podcasts are held by some of the leading minds in economic theories and economic systems, which helps you to stay ahead of the latest trends and developments.BBC Business DailyFrom the BBC World Service comes the BBC Business Daily  free podcast, which captures provides new episodes on the latest news in money and business on a daily basis. Although some podcasts aren’t necessarily focused on business and economics, others are, including podcasts such as:Economists in the Doghouse; andHow Economists Forgot HouseworkYou can only access podcasts from the last 30 days, so it pays to be proacti ve in seeing what podcasts are uploaded daily. You can also subscribe to the channel, making it easier to stay up to date with the latest podcasts.The BBC Business Daily podcasts are among the best economics podcasts you can find. (Source: CC0 1.0, PIRO4D, Pixabay)The Choice is YoursIn conclusion, there is a wide range of entertaining podcasts you can listen to if you want to increase your understanding or appreciation of economics. As there is no single best podcast out there, you have the freedom to decide which podcaster you like the most, and who helps explain economic principles in the best way.Podcasts such as the Economist Radio, the Freakonomics Radio show, and More or Less are examples of podcasts that present current global economic issues in a unique and interesting way, often discussing topics that you had no idea could be related to economics in the first place.For more traditional podcasts, you have the Financial Times, BBC Business Daily, along with the IMF’s podcas ts. These podcasts tend to present the news of the day from a journalist or economics expert in a concise, accessible way and can be great resources for examples to use in an upcoming piece of homework, coursework, or an exam.The other benefit of listening to podcasts is that the shows are usually short, as most of the shows listed above last for around 30 minutes or even less. This means that podcasts are great to listen to on the go, and aren’t overly time demanding in our busy lives.However, if you are listening to economics podcasts to help you with your economics classes  or to understand your economics curriculum better, it may also be a good idea to hire an economics tutor to help supplement your own learning.This is because tutors can give you study strategies and fundamental exam tips that podcasts can’t provide. Additionally, tutors can provide you with a focused learning plan that is designed to help you achieve academic success.So whether you're looking at economics courses at university, want to refine your knowledge on Keynesian principals, microeconomics, or financial economics, or you just want to improve your exam technique, an economics tutor online - or in person can really help you.

Overcoming Stage Fright 4 Important Steps

Overcoming Stage Fright 4 Important Steps Suzy S. Do your palms sweat every time you get up in front of others to perform?   If you get nervous when all eyes are on you, youre not alone.   Most musicians, at some point in their careers, have experienced stage fright or battled nerves. But forget the age-old advice of imagining the audience in their underwear here the steps to follow that really work for overcoming stage fright Step 1: Self-Assessment Get to know yourself as a musician and as a performer.   For example What are your capabilities and limitations as a performer? Ask yourself: “What am I really afraid of?” Worst-case scenarioâ€"you run off the stage and everyone laughs hysterically. That’s unlikely, and might give you perspective into the realities of what it is you are really afraid of. Try not to confuse self-assessment with self-criticism! Step 2: Gradual Exposure and Preparation Look for opportunities for exposure to mild to moderate levels of stress that challenge but do not overwhelm your coping skills, such as visualization of the performance. Other examples: practice performances, dress rehearsals, taping yourself and playing back. Be thoroughly prepared. Nothing replaces adequate time spent in rehearsal and practice! (See also:  How to REALLY Maximize Your Practice Time). Step 3: During the Performance Rather than blocking out the audience, or seeing them in their underwear, try seeing them as allies who are generally supportive and want you to do well. Remember, most performers have to contend with anxiety it comes with the territory. You’re in good company! Feelings of anxiety are natural, and can be used to your advantage. Act calmly, even if you feel nervous. The more you dwell on anxiety, the more you are likely to remain preoccupied with it. Try to overlook errors when you perform. Overall impressions are more important to the audience than note-perfect performances. Enjoy what you’ve accomplished! Others are more likely to enjoy it this way, too. Step 4: After the Performance Temper external feedback with internal beliefs and expectations you have already established. Asking others for feedback without asking yourself first might be depriving yourself of a significant source of valid information about your performance: YOU. View the full article, Coping With Music Performance Anxiety, here. If your music goals involve overcoming stage fright and building your stage confidence, we hope these tips help you perform your best.   And if your nerves still get the best of you dont dwell on it afterward.   Celebrate your accomplishments, and keep working toward your goal! Like these posts?   Sign up to receive daily updates right to your inbox!   Click here to subscribe. You might also like Whats Causing Your Stage Fright? How to Bounce Back From a Bad Audition All I Really Need to Know I Learned From Music Recitals

Film Glossary

Film Glossary So you like Hollywood and Netflix, eh? Maybe you love them. If so, youll want to be able to write about your passion in the most popular language on the internet: English. Heres a film glossary that can help you get started with common film and cinema terms. Film vocabulary word cloud actora male whose profession is acting on the stage, in movies, or on television. actressa female whose profession is acting on the stage, in movies, or on television. anachronisman element or artifact in a film that belongs to another time or place; often anachronistic elements are called film flubs anamorphicrelated to different optical imaging effects; refers to a method of intentionally distorting and creating a wide screen image with standard film angleThis is the think who is able to capture an optical device anthropomorphismthe tendency in animated films to give creatures or objects human qualities, abilities, and characteristics. aperturerefers to the measurement of the opening in a camera lens that regulates the amount of light passing through and contacting the film. artistic directorresponsible for the visual and artistic published or multimedia project behind scenesout of sight of the public at a theater or organization. cameraa device for recording visual images in the form of photographs, movie film, or video signals. cameraa device for recording visual images in the form of photographs, movie film, or video signals. camera anglethe point of view of a camera camera movementA shift in view, frame, or perspective caused by the movement of a camera cameramana person whose profession involves operating a television or movie camera casting listA list of all the actors in a movie or a tv-show. catharsisduring a films climax, the audience may experience a purging or cleansing of emotional tension, providing relief or therapeutic restoration cinemaa place to see a movie climaxthe most intense, exciting, or important point of something; a culmination or apex. close-upa shot taken from a close distance in which the scale of the object is magnified costume designercostumier: someone who designs or supplies costumes (as for a play or masquerade) cranea large, tall machine used for moving heavy objects, typically by suspending them from a projecting arm or beam. delete sceneA scene removed from or replaced by another scene in the final version of a motion picture. denouementthe point immediately following the climax when everything comes into place or is resolved; often the final scene in a motion picture; aka tag; see resolution designera person who plans the form, look, or workings of something before its being made or built, typically by drawing it in detail. dialogueconversation between two or more people as a feature of a book, play, or movie. diegeticthe term is used to name the story depicted on screen directora person who directs the production of an audiovisual work, typically for film and television. directora person who directs the making of a film. director of photographyresponsible for achieving artistic and technical decisions related to the image. documentarya movie or a television or radio program that provides a factual record or report. dollya small platform on wheels used for holding heavy objects, typically film or television cameras. dolly shotrefers to a moving shot in which the perspective of the subject and background is changed; the shot is taken from a camera that is mounted on a hydraulically-powered wheeled camera platform dubbinga technique of replacing the original language of production of an audiovisual work, another language to disseminate this work in foreign countries dystopiaan imaginary, wretched, dehumanized, dismal, fearful, bad, oppressive place or landscape, often initiated by a major world crisis editingthe process (performed by a film editor) of selecting, assembling, arranging, collating, trimming, structuring, and splicing-joining together many separate camera takes (includes sound also) of exposed footage (or daily rushes) into a complete, determined sequence or order of shots (or film) editorThe person who assembles plans and sequences of a film elipsisthe shortening of the plot duration of a film achieved by deliberately omitting intervals or sections of the narrative story or action executive producerAn executive producer enables and backs up the making of a commercial entertainment product. He or she is concerned with management accounting and possibly with associated legal issues. An EP also contributes to the films budget, and does not work on set. extraa performer in a film, television show, stage, musical, opera or ballet production, who appears in a nonspeaking, nonsinging or nondancing capacity, usually in the background. extraan actor who takes a hand accessory to the story fictiona film that tells a fictional or fictionalized story, filma thin skin, cuticle, membrane, or film. film editorThe film editor works with the raw footage, selecting shots and combining them into sequences to create a finished motion picture film productionall the techniques used to render a movie, usually in a cinema, but also for private screenings flashbacka scene in a movie, novel, etc., set in a time earlier than the main story. focusthe state or quality of having or producing clear visual definition frameplace (a picture or photograph) in a frame. hairstylista person who cuts and styles peoples hair professionally. headphonesa pair of earphones typically joined by a band placed over the head, for listening to audio signals such as music or speech. in shotAll the things that are in the picture jump-cutan abrupt, disorienting transitional device in the middle of a continuous shot in which the action is noticeably advanced in time and/or cut between two similar scenes, leading actorplays the role of the protagonist in a film or play leading actorA leading actor, leading actress, star, or simply lead, plays the role of the protagonist in a film or play. leitmotivan intentionally-repeated, recurring element or theme associated with a particular person, idea, milieu, or action; the element presents itself as a repeated sound, shot, bit of dialogue, piece of music, etc., lengthreaching up to or down to the place specified. lensa piece of glass or other transparent substance with curved sides for concentrating or dispersing light rays lightingequipment in a home, workplace, studio, theater, or street for producing light microphonean instrument for converting sound waves into electrical energy variations, which may then be amplified, transmitted, or recorded. montagethe process or technique of selecting, editing, and piecing together separate sections of film to form a continuous whole. moviea type of visual communication which use moving pictures and sound to tell stories or inform movie theaterA movie theater is a venue, usually a building, for viewing movies (films). movie trailera short commercial whose purpose is to promote a film coming out in theaters soon musicsongs and instrumental pieces, which are the film score panTo move a movie or television camera to follow an object or create a panoramic effect. planshooting, between a start and stop the camera post-productionwork done on a film or recording after filming or recording has taken place producera person responsible for the financial and managerial aspects of making of a movie producerSomeone who prepares and then supervises the making of a film before presenting the product to a financing entity or a film distributor projectto present an image on a surface, esp. a movie screen. projection screenA projection screen is an installation consisting of a surface and a support structure used for displaying a projected image for the view of an audience. prologuea speech, preface, introduction, or brief scene preceding the the main action or plot of a film; contrast to epilogue. railsa steel bar or continuous line of bars laid on the ground as one of a pair forming a railroad track. scenarioA work written by one or more writers for a film or television program scenea sequence of continuous action in a play, movie, opera, or book. screenplayThe script of a movie, including acting instructions and scene directions screenplaythe script of a movie, including acting instructions and scene directions. screenwritera person who writes a screenplay scriptwritera person who writes a script for a play, movie, or broadcast. setThe place and the environment in which the action takes place shootthe process of filming or photographing any aspect of a motion picture with a camera; the plan for a shoot is termed a shooting schedule. showingthe action of showing something or the fact of being shown. slow-motionrefers to an effect resulting from running film through a camera at faster-than-normal speed (shooting faster than 24 frames per second), and then projecting it at standard speed; if a camera runs at 60 frames per second, and captures a one second-long event soundIt a music in a film or noice in a movie sound editorresponsible for selecting and assembling sound recordings in preparation for the final sound mixing sound effectsa sound other than speech or music made artificially for use in a play, movie, or other broadcast production sound engineer Someone who manages the sound in various sectors soundmanin charge of recording, transmitting, or amplifying sound or of producing sound effects soundtracka recording of the musical accompaniment to a movie. special effects(special effect) an effect used to produce scenes that cannot be achieved by normal techniques (especially on film split-screenthe combination of two actions filmed separately by copying them onto the same negative and having them appear side-by-side within a single frame (without overlapping) star(of a movie, play, or other show) have (someone) as a principal performer storyboarda sequence of drawings (some directions and dialogue), representing the shots planned for a movie studioRecording room location for film, radio, television, record company studioa film or television production company subtitledprovide (a movie or program) with subtitles. symbolan object in a film that stands for an idea, or that has a second level of meaning to it, symmetrywithin a film when two or more distinct plotlines mirror each other or develop variations on the films theme or plot; aka mirroring techniciana person employed to look after technical equipment or do practical work on a film set televisionThis is a set of techniques to make and receive video sequences travellinga movement of the camera during shooting, which is one of the uses of a subject parallel to follow its movement tripoda three-legged stand for supporting a camera or other apparatus. video clubShop that sells and rents video cassettes recorded visual effectsVisual effects are the various processes by which imagery is created and/or manipulated outside the context of a live action shot voice-overa piece of narration in a movie or broadcast, not accompanied by an image of the speaker voice-overrefers to recorded dialogue, usually narration, that comes from an unseen, off-screen voice, character or narrator writera person who writes a script for a film zooma single shot taken with a lens that has a variable focal length, thereby permitting the cinematographer to change the distance between the camera and the object being filmed. 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Intransitive review

Pronunciation Stress in Phrasal Verbs and Transitive/Intransitive review Oh boy, more grammar with phrasal verbs. The cool thing about learning phrasal verb grammar is that it really reviews all verb grammar rules in English.One of the more difficult rules is transitive and intransitive verbs. Transitive is when a verb requires an object. Intransitive verbs do not allow for an object. What does that mean? Transitive verbs are verbs that need something/someone to receive the action. I took away(what? something is missing here because the verb is transitive and it needs an object to receive the action.) I took away the toy from the child. (Not nice, but the sentence works!) Intransitive is exactly the opposite. It does NOT allow for an object. The car broke down. (Try to put an object in this sentence and you cant).So today we are looking at the stress put on phrasal verbs. PASS out or pass OUT? It relates back to whether the verb is transitive or intransitive. Interestingly some verbs can be both but with different meanings. She passed OUT because of the a ltitude. INTRANSITIVE (inseparable) The teacher PASSED out our homework assignments. TRANSITIVE (separable) The teacher PASSED our homework assignments out.Are you confused? Watch the video and do the exercise to see if you understand this grammar point.Choose which word should be stressed. Example: You cant get away with anything. stress is on away You cant get AWAY with anything. 1. Ive only passed out one time in my life. (pass or out) 2. The house burned down from a chimney fire. (burned or down) 3. I never fall for her tricks. 4. Her boyfriends always cheat on her. 5. I passed the homework out to my students. 6. I have been through a lot in the past few years. 7. She is coming down with a cold.Can you use each of the above phrasal verbs in your own sentences?Learn more phrasal verbs with our Phrasal Verb of the Day. Petar Å imic 1. Ive only passed OUT one time in my life. 2. The house burned DOWN from a chimney fire. 3. I never FALL for her tricks. 4. Her boyfriends always CH EAT on her. 5. I PASSED the homework out to my students. 6. I have BEEN through a lot in the past few years. 7. She is coming DOWN with a cold.1.2. Ive passed OUT after eight pints last Saturday. 2.2. I saw when rioters put a car on fire. It burned DOWN in minutes! 3.2. I FALL for blondes. 4.2. I would never CHEAT on my wife. 5.2. When I arrived to the office, I PASSED the questionnaire out to all their employees. 6.2. I WENT through that too, and I can say to you that long-term relationship breakup is a nasty thing. 7.2. I didnt go to work because I came DOWN with the flu. LOIEnglish Petargood work. Im going to give you a few pointers on your sentences that you created. 1.2-Here you used the present perfect tense however we can never use this tense when we have a time reference. Saturday You can say: I passed out after eight pints last Saturday. (after 8 pints anyone would pass out!) 2.2 I saw when rioters SET a car on fire. 3.2. I went through that too, and ALL I can say to you I S that A long-term relationship breakup is a nasty thing.Thanks for answering! Petar Å imic Wow, big thanks for the high-quality feedback. Yuri Manzhos but Petar has a mistake in 5. I passed the h/w OUT